Diamela Eltit born , Santiago de Chile is a Chilean writer and university professor. She is a recipient of the National Prize for Literature. In , she began a career as Spanish and literature teacher at high school level in several public schools in Santiago, such as the Instituto Nacional and the Liceo Carmela Carvajal. During the last thirty years, Eltit has lectured and participated in conferences, seminars and literature events throughout the world, in Europe, Africa, North and Latin America.
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Email the author Login required. Hide Show all. Simultaneously exploring and rejecting the confines of the traditional testimonial reliance on language, Eltit moves the reader to a re-consideration of the truth-telling function of the biological materiality of the body, placing imperfect corporalities on display as a means of speaking, even where the voice itself may falter. Lastly, this essay reconsiders the rejective power of the traditional archive, analyzing the effect set models have on those who seek to tell their stories outside of the traditional testimonial model.
I argue that the case of Diamela Eltit is an example of the way writers and producers of cultural texts which actively inscribe alternative memories of the past are resisting the authoritative power of the archive and subversively inscribing narrative memory onto bodily materialities, re-orienting the view of the corporal from an evidentiary showing to an active process of re-telling the past.
Full Text: PDF. References Alaimo, Stacy and Susan Hekman. Candlin, Fiona and Raiford Guins. The Object Reader. Eltit, Diamela. Impuesto a la carne. Buenos Aires: Eterna Cadencia, El infarto del alma. Santiago: F. Zegers, Ronald Christ.
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ISBN 13: 9789562475037
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Blood, organs and other tissues for sale: Diamela Eltit's Impuesto a la carne and the afterwards of the neoliberal development in Latin America. Wanda I. This dehumanization process submits the subject under the exchange transactions of the market, where labor value is detached from the production process and it becomes abstract. Once in the market as a commodity, the subject's relationship with others changes since the material, political and personal paradigms are transformed.