ANTON PARKS SECRET ETOILES SOMBRES PDF

The Phenomenon of Anton Parks: Has Anton Parks, French self-educated author, produced in Le Secret des toiles Sombres an epic accounting, a mythology, a saga of science fiction and heroic fantasy, or a "history" book? Parks' work remains unclassifiable as it poses the essential questions: What was happening on the earth before the coming of man? What led to and provoked the advent of the human civilizations? The author of Le Secret des toiles Sombres enthralls thousands of readers around the world with his epic report on the origin of human civilization. But let us not be mistaken: in this novelistic form, Parks may have restored to us our true genesis, that. Nexus Magazine French Edition Nos.

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The Phenomenon of Anton Parks: Has Anton Parks, French self-educated author, produced in Le Secret des toiles Sombres an epic accounting, a mythology, a saga of science fiction and heroic fantasy, or a "history" book? Parks' work remains unclassifiable as it poses the essential questions: What was happening on the earth before the coming of man? What led to and provoked the advent of the human civilizations?

The author of Le Secret des toiles Sombres enthralls thousands of readers around the world with his epic report on the origin of human civilization. But let us not be mistaken: in this novelistic form, Parks may have restored to us our true genesis, that. Nexus Magazine French Edition Nos.

Far from the paradigms of Darwinism and creationism, Parks proposes an exogenesis of humanity based on the decryption of great fundamental myths, but also on Sumerian and biblical texts. A fascinating voyage to our ultimate origins. I recall well all these discourses and the numerous broken promises.

This wound refuses to heal. My heart is ever filled with grief, because this story resonates within me like a distant echo. The crystal Ugur The GRK My companion asked me to take out the cylindrical quartz crystal with reflections of greens and blues. I seized it and held it up, admiring it in all of its parts; it was of an extraordinary purity It possesses multiple functions and operates on the same principle as the ME. The entire history of the Amautum is carefully recorded in it.

It is also a frequency catalyst that transports on the three levels which make up the KIGAL and on the fourth dimension of the Angal. The amount of heat exerted on this crystal by the Nama causes the basic vibration of a being to rise or descend, aligning her with the different planes of existence. In fact the Grk acts as a Grkur, but with considerably greater power, because it is an undressed crystal!

It comes from the system of Gagsis Sirius. It deploys its blade thanks to the Nama. Each and every one of us possesses one on Nalulkra. Our past deviations and our venue in the bosom of the Kaditu have not only removed from us our venom, but also the preprogrammed capacity to use the Grk that we previously possessed. However, Parks himself does not believe his books to be works of fiction.

Rather, they are a transcription of experiences he had through an imposed virtual reality projection, or a parapsychological mind meld, or some other process for which we cannot even propose a name - that intruded upon and overwhelmed his daily life for many years.

Before reading his books, one needs to know what they are. The best way to begin to understand is through Parks' own description of how he acquired his information. For this we turn to a penetrating interview of Parks conducted by Alain Gossens of Karmapolis. The wide-ranging interview also serves as a prcis of the trilogy, and as such was an aid in organizing and beginning to write these pages, which also incorporate information from private communications with Anton Parks, and from the books themselves, when they are published.

One other important first detail for English-speaking readers: no English-language translation of Parks' books or the interview has been published, but translation of the book series is underway. While awaiting the books' publication in English, although we will not attempt a close translation on these pages, the importance of Parks' work seems so great that we are moved to provide Englishspeaking readers with a summary and discussion of the basic facts contained in them.

Parks' experiences began at the age of 14, in , with a series of "flashes" that would occur at any hour of the day, and completely beyond his control.

These eventually evolved into "visions" that took place from once to three times each day. The visions seemed somehow to be related to or triggered by the ambient light at the time of their occurrence. The light in the visions had the same "spectrum" as the surrounding light. They came as "jets of light" from above, penetrating the top of his head, at the level of the "seventh principal chakra. He would find himself "inside" a certain being, and usually would find the same set of "personages" around him.

These living experiences would take from two to up to ten minutes. Yet if there were people around Parks at the time the visions occurred, they did not seem to notice that anything special had happened, which leads Parks to believe that he would have been gone for only a few seconds at most, in their time.

Parks struggled to comprehend the source of these visions, and their meaning. It was not until the end of the 90s and much research that he came to understand that they were related to the Sumerian civilization and to a language from which the Sumerian language emerged.

It took some time to put order into all this history -- the different personages and their characters, their numerous names, the different races, the planets, the dimensions -- all that had not been clear at the beginning, especially since I was receiving the information via these disordered "flashes". Order and comprehension came naturally over the course of years, without doubt due to the growing amount of information that I was able to accumulate.

And there was this sensation of "deja vu", of knowing or recognizing the personalities of the players. It is a world apart, truly separate from ours, but so alive and, in spite of all, so close to us in many ways I discovered by chance the Sumerian literature very late, toward the end of and the beginning of Yes, that was a shock and above all a supreme motivation for me to write the Chronicles.

Certain places described in the Mesopotamian documents, and most of the the principal personages, are relatively in accord with what I received, but the tablets lack many details and numerous elements The warp and woof of the story that I relate are found however on some clay tablets; this is why I have no doubt this "capacity" to interpret the symbolism of the Mesopotamian documents.

Parks also began to consider aspects of reincarnation theory in trying to comprehend what was happening to him. The personage whose identity Parks assumed in his visions bore the name of "Sa'am," and it was Sa'am's "destiny" that Parks was retracing. Sa'am belonged to a group of "reptilian" races known as the Gina'Abul, and these are the divinities who are written about on the Mesopotamian tablets. Sa'am had a certain crystal that was called "Grk.

After many years of living with these visions, Parks found that they were taking too much of his life, and he began a process of reducing and blocking them. This took many months, but the phenomenon eventually disappeared, in around the time of the first Persian Gulf War. Coming to terms with the experience, Parks decided that it was not necessary to know for certain if he truly was the Sa'am personage, although in the depths of his being he is convinced that it is so.

Perhaps this was what led him to begin a study of ancient Mesopotamian texts. He and his associates were soon shocked to find that the history they related was practically identical to what he had received - or lived through - in his visions. Pursuing an interest in the Sumerian language, and aided by his "flashes," Parks discovered the "linguistic code of the "gods".

Eventually what became most important was the need to write and publish the information he was gathering. He began this task in the period The latter are usually presented in the form of formal manuscripts and reports as appendices to the texts, and easily distinguishable from them. It didn't seem to be channelling, properly speaking.

To explain that it was all revealed to me on a daily basis over a dozen years through the intermediary of uncontrollable "jets of light" hardly enchanted me.

This situation was so trying for me that it is difficult now to even recall it clearly. Years of this had shattered my life. I had opted not to speak of it, at least at first, thinking that "those who know" would see clearly from what it came. As to most of the other readers, those who are a little less "in the know", I imagined that they would be content to take this information as that found in an essay on the origin of humanity, or even as a novel, given that the narrative is written in that form.

When one has important information to communicate, all these methods are good But choosing the manner of transcribing this series did pose a problem for me, and for a long time. Several years ago, when I finally decided to begin writing, I started to compose the first volume in the form of an essay. But after a good hundred pages, I realized that I would not be able to include all the details that I had received.

So I abandoned this approach and wrote the central part of the book -that is to say the history -- as a narrative.

That allowed me to put in the full specificity of this story without "taboos" and I was able to preserve the singular sensation of finding myself in the body of the principal personage, just as I had it at the time that I had received all this.

Then I preserved the contents of my historico-mythological and linguistic investigations for the notes at the bottom of the pages and for the appendices, as I have done with the present work. This explains why two different writing styles coexist in the volumes of this series. While they differ from one another, their core information is the same, and Parks and his associates couldn't help noticing a surprising similarity between his flashes and the basic story written down on the ancient clay tablets - certainly more than to years old!

It was all Parks could do to refrain from plunging too deeply into these translations, so as to continue to preserve intact the history as he had received it, which contained numerous elements that were totally absent from the tablets.

He found striking similarities on concepts having to do with cloning, well detailed on the tablets, which have also been discussed by modern authors Zecharia Sitchin, R. Boulay, and David Icke. Most important was information relating to the central personage known in Parks' first volume as Sa'am, who took other names while on the Earth - though no more was spoken of this in the interview. Many of the personages introduced in Le Secret came to Earth and persisted into the Sumerian, Egyptian, and "Biblical" epochs under various names.

All of these are discussed in dam Genisi. On Nibiru and Gold Parks writes Le Secret, Note 4 : We will see that the first humans on the African continent were procured over a period of several millennia for the purpose of mining gold for the "Celestial Bestiary. You will see that my ideas are totally original and absolutely to be distinguished from those put forward by independent researchers who claim to have read on the clay tablets I must ask where???

I don't know where this information came from, but quite clearly not a single clay tablet claims that Nibiru or Neberu is the original planet of the Sumerian "gods" called Anunna [see Races]; on the contrary, the only celestial habitation that is mentioned, quite rightly, is Duk of which we will speak again and again.

Note also that Duk is actually the name of a planet, but also became the name of an orbiting habitat that the Celestial Bestiary, once. The Sumerians used this same name to designate chapels in the ancient cities of Eridu and Nippur.

These cult places symbolized the terrestrial manifestation of the "primordial hills" of the "gods. Languages Unity The language in which Parks received his information was completely unlike French, yet he knew it as though it were his native tongue. For some years he had believed the language to be Hebrew, but was disabused of this idea through the use of a Hebrew syllabary a set of signs or symbols representing the sounds that make up the words.

Since these constituent sounds have their own meanings, one can use this tool to decompose and understand the complex meanings of complete words.

It is this focus on the phonetic values of the syllables that distinguishes Parks' linguistic methodology. These exhibit a common base among numerous ancient languages. Parks learned that the codification of languages was associated with the existence of castes in the society he had experienced in his visions: that of the Gina'abul Sumerian word for lizards.

By the end of the s Parks understood that the phonetic values of the Gina'abul were to be found in both the Sumerian and Akkadian syllabaries. The Sumerian language, he points out, embraces a system that was totally formed from its first appearance and which has undergone only rare developments over time. Sumerian belongs to no known linguistic group, while Akkadian - a language spoken in the north of Mesopotamia and structured from the Sumerian syllabary - is the ancestor of Assyrian and Bablylonian, themselves belonging to semitic groups such as Hebrew and Arabic.

These syllabaries could be used to decompose certain biblical terms and to understand their deep meanings. Decomposing a word required knowledge of the context that had led to the original assembling of its terms.

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Ages of Uras - The Secret of the Dark Stars - Anton Park

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Anton Parks

Note: Parks' design of Sa'am's profile has been published in the 3rd edition of Le Secret ; thumbnail on this website under Personages. Parks' work remains unclassifiable as it poses the essential questions: What was happening on the earth before the coming of man? What led to and provoked the advent of the human civilizations? But let us not be mistaken: in this novelistic form, Parks may have restored to us our true genesis, that which figures in the Sumerian texts, clairvoyantly decrypted and presented without complexity. Nexus Magazine French Edition Nos. Far from the paradigms of Darwinism and creationism, Parks proposes an exogenesis of humanity based on the decryption of great fundamental myths, but also on Sumerian and biblical texts. A fascinating voyage to our ultimate origins.

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